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Mats Jonasson® Miscellaneous

Home | Mats Jonasson Maleras Crystal Sculptures | Mats Jonasson Miscellaneous
More Information about Mats Jonasson Maleras Crystal Sculptures

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Four Leaf Clover Mini Mats Jonasson
#6322
Four Leaf Clover Mini Mats Jonasson
Four Leaf Clover Mini Mats Jonasson
Price $50Magnify
AMAZE Blue Bowl, medium Mats Jonasson
#55822
AMAZE Blue Bowl, medium Mats Jonasson
AMAZE Blue Bowl, medium Mats Jonasson
Price $180Magnify
Buddha
#6063
Buddha
Buddha
Price $65Magnify
Dalecarlia Horse, Red, by Mats Jonasson
Dalecarlia Horse, Red, by Mats Jonasson
Dalecarlia Horse, Red, by Mats Jonasson
Price $115Magnify
Dalecarlia Horse Blue, by Mats Jonasson
Dalecarlia Horse Blue, by Mats Jonasson
Dalecarlia Horse Blue, by Mats Jonasson
Price $115Magnify
Dalecarlia Horse Trad Red, by Mats Jonasson
Dalecarlia Horse Trad Red, by Mats Jonasson
Dalecarlia Horse Trad Red, by Mats Jonasson
Price $140Magnify
Dalecarlia Horse Trad Blue by Mats Jonasson
Dalecarlia Horse Trad Blue by Mats Jonasson
Dalecarlia Horse Trad Blue by Mats Jonasson
Price $150Magnify
Dalecarlia Horse Trad Blue,lg, by Mats Jonasson
Dalecarlia Horse Trad Blue,lg, by Mats Jonasson
Dalecarlia Horse Trad Blue,lg, by Mats Jonasson
Price $325Magnify
Dalecarlia Horse, Trad. Red, large, by Mats Jonasson
#6400
Dalecarlia Horse, Trad. Red, large, by Mats Jonasson
Dalecarlia Horse, Trad. Red, large, by Mats Jonasson
Price $325Magnify
Dragon Large Mats Jonasson Crystal Sculpture
#6263
Dragon Large Mats Jonasson Crystal Sculpture
Dragon Large Mats Jonasson Crystal Sculpture
Price $160Magnify
Dragon small Mats Jonasson Crystal Sculpture
#6260
Dragon small Mats Jonasson Crystal Sculpture
Dragon small Mats Jonasson Crystal Sculpture
Price $100Magnify
Eagle Wall Relief - sold out
#5943
Eagle Wall Relief - sold out
Eagle Wall Relief - sold out
Magnify
Equal - retiring
#5940
Equal - retiring
Equal - retiring
Price $275Magnify
Girl
#6157
Girl
Girl
Price $175Magnify
Ganesha
#28370
Ganesha
Ganesha
Price $65Magnify
Heart bowl  Mats Jonasson Click MORE INFO for other sizes
Heart bowl Mats Jonasson Click MORE INFO for other sizes
Heart bowl Mats Jonasson Click MORE INFO for other sizes
Price $60Magnify
Heart Bowl Small
#5935
Heart Bowl Small
Heart Bowl Small
Price $75Magnify
Mare
#6074
Mare
Mare
Price $300Magnify
Mats Jonasson AMAZE Blue Bowl, large
#55823
Mats Jonasson AMAZE Blue Bowl, large
Mats Jonasson AMAZE Blue Bowl, large
Price $230Magnify
Mats Jonasson AMAZE Sandyellow Bowl, large
#55825
Mats Jonasson AMAZE Sandyellow Bowl, large
Mats Jonasson AMAZE Sandyellow Bowl, large
Price $230Magnify
Mats Jonasson AMAZE Sandyellow Bowl, medium
#5892
Mats Jonasson AMAZE Sandyellow Bowl, medium
Mats Jonasson AMAZE Sandyellow Bowl, medium
Price $180Magnify
Mats Jonasson AMAZE, Sandyellow Vase, medium
#44866
Mats Jonasson AMAZE, Sandyellow Vase, medium
Mats Jonasson AMAZE, Sandyellow Vase, medium
Price $180Magnify
Mats Jonasson ATHENA Red Bowl, medium
#55913
Mats Jonasson ATHENA Red Bowl, medium
Mats Jonasson ATHENA Red Bowl, medium
Price $90Magnify
Mats Jonasson ATHENA Youl Blue/Red Bowl, large
#55916
Mats Jonasson ATHENA Youl Blue/Red Bowl, large
Mats Jonasson ATHENA Youl Blue/Red Bowl, large
Price $145Magnify
Mats Jonasson ATHENA Youl Blue/Red Platter
#5925
Mats Jonasson ATHENA Youl Blue/Red Platter
Mats Jonasson ATHENA Youl Blue/Red Platter
Price $210Magnify

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More Information about Mats Jonasson® MiscellaneousMats Jonasson Swedish crystal, Bowls, Santa Claus, Nativity, hearts, Buddha, girl,dragon, butterfly, guitar, viking ship and more, handcrafted, sandblasted and carved by hand, all of them are individually signed with the artist or studio signature
"Having done a drawing I make a plaster model. This is an exact replica of the finished piece. At this stage, I decide on the background - what is to surround the piece. It is often more difficult to achieve perfect harmony between the motif and its surroundings and I frequently spend longer working on the surroundings than on the animal itself. It is the chiselled, crystal-like texture that I want to bring out. An eagle on a cliff works well but an animal moving throught the forest is more difficult. The background to the animal motif must help to create the mood.
The next step is to engrave the body on the plaster model. Then I varnish the model and make a postivie cast of it also in plaster. This cast, which is the right way round, is the model for the final iron mould. On the final plaster model, I enhance the fine details of the motif before passing it to the iron foundry. In the foundry, a sand core is produced and then the iron mould is cast. We now have a raw mould. the raw mould is also worked on. I use diamond drills, revolving files and ultrasonic tools to clarify the details of the motif and to polish the parts requiring a glossy finish. When I am satisfied with the mould, it is passed to the glass workshop where the molten crystal is cast in it. We start by heating the iron mould so that the diffence in temperature between it and themolten crystal is not too severre. A "gatherer" takes molten glass from the post using a long iron. Gathering the melt can leave imperfections in the crystal. Bubbles may develop and these have to be removed. We use a crystal of a special type which the Swedish Glass Research Institute has helped us to develop. This is the most costly crystal but it is especially well suited to casting and pressing. A large piece of this crystal has greater refraction and is smoother and more brilliant. It treats the light in a special way.
After casting, the galss is annealed in a lehr for 15-10 hours. If it is cooled too quickly, it will crack. After annealing there is a first quality inspection. Glass with imperfections is thrown out. It is important to get rid of defective pieces before the laborious post-production work is started. the first stage of this is sandblasting. If I want a particular area to remain glossy - the stripes on a zebra, for example, I mask them with silicon which prevents the sharp sand from getting at them. We work with different grades of cutting sand at various velocities. After sandblasting,the motifs are polished and some are then sandblasted again using coarser sand at a higher velocity to increase the whiteness.
Any unevenness of the background and foot of the pieces is then ground smooth. First the pieces is ground on a coarse diamond wheel and then on a finer wheel before being polished in two stages. the second "putty" polishing uses tin oxide which gives a highly polished surface. The final stage consists of engraving in order to achieve the minutest details of coat, plumage and eye that are so vital to the impression made by the finsihed piece.
Beside the effects obatined from making use of relief, i also have access to the graphic artist's full range of possibilities. The graphic artist can use every nuance from black to while while I have a scale from polished gloss to coars matt. The craft process means that each relief is different. Many hands and eyes have contributed to the finished object". Mats Jonasson
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